Kristen Kosmas is an American playwright and performer. She has had new works commissioned by the Chocolate Factory (NYC), Performance Space 122 (NYC), The Theatre of a Two-Headed Calf (NYC), Seattle University’s SITE Specific, Dixon Place (NYC), and the New City Theater in Seattle. Her plays and solo performances have been presented in Seattle, Austin, Boston, Chicago, and in New York City at numerous venues including the Chocolate Factory, the Prelude festival, Performance Space 122, Dixon Place, Little Theater, Barbès, the Ontological/Hysteric Downstairs Series, and the Poetry Project. Her play Hello Failure was published by Ugly Duckling Presse; her multi-voice performance text This From Cloudland appears in the latest issue of “PLAY A Journal of Plays”; her companion pieces, ANTHEM and The Mayor of Baltimore and her most recent play, There There, were published by 53rd State Press; and her play APEX appears in “15 Second Plays curated by the Debate Society” published by Ugly Duckling Presse. Other plays include Chapter of Accidents, H-O-R-S-E, and Palomino. Kristen is the writer/performer of four critically acclaimed solo shows, Blah Blah Fuckin Blah, Again, Slip, and The Scandal! As an actor, she has appeared in many notable new plays including Potatoes of August by Sibyl Kempson, Mark Smith by Kate Ryan, ASTRS and Some Things Cease To Be While Others Still Are by Karinne Keithley, The Internationalist by Anne Washburn, Producers of Fiction by Jim Strahs, The Florida Project by Tory Vazquez, and Hurricane by Erin Cressida Wilson. Kosmas is a founding member of the OBIE Award winning performance series Little Theater; the Brooklyn-based experimental writer’s collective The Ladies’ Auxiliary Playwriting Team; and The Twenty-Five Cent Opera of San Francisco, a monthly event for the enactment of texts and theatricals. She is an Assistant Professor of Theatre at Whitman College and a member of New Dramatists.