News and Reviews
- 03.27.20 | Genya Turovskaya wins a 2020 Whiting Award in Poetry
- 03.27.20 | Asiya Wadud interviewed by Emily Skillings for BOMB
- 03.25.20 | Jena Osman’s Motion Studies reviewed by Jessica Johnson in Poetry Northwest
- 03.25.20 | Soviet Texts reviewed on Hound: The Art of the Dog
- 03.23.20 | Understanding Molecular Typography reviewed in DOMESTIKA
- 03.23.20 | Jena Osman’s Motion Studies a finalist for the Big Other Award for Nonfiction
- 03.22.20 | Robert Fitterman’s No, Wait. Yep. Definitely Still Hate Myself. recommended in ArtNews
- 03.20.20 | Anne Boyer wins a 2020 Windham Campbell Prize for Nonfiction
- 03.18.20 | The Last Innocence / The Lost Adventures reviewed in Waxwing Magazine
- 03.18.20 | Kristen Dykstra interviewed in Rialta Magazine
- 03.09.20 | Story and Interface for a Fractal Landscape Finalists for the Big Other Book Award for Poetry
- 03.04.20 | Syncope reviewed in Harvard Review Online
- 03.03.20 | The Winter Garden Photograph wins the 2020 PEN America award for Poetry in Translation
- 03.02.20 | Diana Hamilton’s God Was Right reviewed by Astrid Lorange in the Sydney Review of Books
- 02.24.20 | Soviet Texts reviewed by Andreea Scridon on Asymptote Blog
- 02.20.20 | On Tonya Foster’s A Swarm of Bees in High Court, in a Poetry Foundation podcast with Al Filreis
- 02.13.20 | Amanda Berenguer’s Materia Prima reviewed by John Venegas in Angel City Review
- 02.11.20 | Soviet Texts on Jamie’s Pen and Ink
- 02.10.20 | Special Section on Leonard Schwartz in Talisman #48
- 02.05.20 | Jen Bervin’s NETS on view in Subscribed: The Manuscript in Britain, 1500-1800 at Yale
- 02.03.20 | Amanda Berenguer’s Materia Prima micro-reviewed in The Kenyon Review
- 01.30.20 | Kristin Dykstra and Kent Johnson interviewed by Peter Boyle in Rain Taxi
- 01.30.20 | The Winter Garden Photograph a finalist for PEN’s 2020 Poetry In Translation Award
- 01.28.20 | Alejandro Albarran Polanco’s Cowboy & Other Poems reviewed by Clara B. Jones