News and Reviews
- 01.06.18 | Mónica de la Torre’s The Happy End / All Welcome reviewed by Anselm Berrigan in Hyperallergic
- 01.03.18 | Brent Cunningham’s The Sad Songs of Hell reviewed in American Microreviews & Interviews
- 01.01.18 | Eleni Vakalo’s Before Lyricism reviewed on The Kenyon Review
- 12.30.17 | Constance DeJong’s Modern Love named one of the best books of the year by De Groene Amsterdammer
- 12.20.17 | Simone Kearney’s My Ida reviewed on Yellow Rabbits
- 12.20.17 | Holly Melgard’s Catcall reviewed on Yellow Rabbits
- 12.20.17 | Chukwuma Ndulue’s Boys Quarter reviewed on Yellow Rabbits
- 12.20.17 | Jeremy Hoevenaar’s Insolvency, Insolvency! reviewed on Yellow Rabbits
- 12.18.17 | The Blind Man reviewed by James Hoff
- 12.14.17 | The Blind Man named among Best Art Books of 2017 in The New York Times
- 12.11.17 | Igor Kholin’s Kholin 66 reviewed on Michael Dennis’s blog
- 12.11.17 | Holly Melgard interviewed about Catcall on Sex City Radio
- 12.10.17 | Hirato Renkichi’s Spiral Staircase reviewed on Open Stacks
- 12.01.17 | Brent Cunningham’s Sad Songs of Hell reviewed in Galatea Resurrects
- 11.28.17 | Constance DeJong’s Modern Love reviewed in Full Stop
- 11.21.17 | Emma Clayton interviews Constance DeJong about Modern Love
- 11.21.17 | Jacqueline Waters’ Commodore reviewed in Publishers Weekly
- 11.17.17 | Señal Chapbook Series reviewed in Jacket2
- 11.17.17 | Lewis Freedman interviewed about Residual Synonyms for the Name of God in Dichtung Yammer
- 11.07.17 | Alan Felsenthal’s Lowly reviewed in The Hudson Review
- 11.05.17 | 6×6 #36: prodyourheadwithastick reviewed on rob mclennan’s Blog
- 10.24.17 | Alan Felsenthal’s Lowly reviewed in Boston Review
- 10.14.17 | Eleni Vakalo’s Before Lyricism named one of the best books of 2017 by Malvern Books
- 10.14.17 | Will Daddario interviewed about To Grieve in Tupelo Quarterly