News and Reviews
- 05.18.23 | Ellie Ga’s North Was Here reviewed by Adam Golaski
- 05.16.23 | Jen Bervin featured in Hyperallergic
- 05.15.23 | Maged Zaher featured in Futurefeed
- 05.01.23 | Señal 2022 Chapbooks reviewed by Leo Boix in The Morning Star
- 05.01.23 | Basie Allen’s Palm-Lined with Potience reviewed by Kent Shaw in CSU Center For Literary Publishing
- 04.22.23 | Yevgeniy Fiks’ The Wayland Rudd Collection featured in The Slavic Review
- 04.20.23 | Rocío Agreda Piérola’s Horses Drawn with Blue Chalk reviewed by Guillermo Rebollo Gil in Asymptote
- 04.15.23 | Benjamin Krusling’s it got so dark featured in Poetry Daily
- 04.01.23 | Benjamin Krusling featured in e-flux
- 03.31.23 | Emma Wippermann featured in Vanity Fair
- 03.30.23 | Emma Wippermann featured in Publisher’s Weekly
- 03.29.23 | Emma Wippermann featured in Lit Hub
- 03.29.23 | Emma Wippermann’s Joan of Arkansas excerpted in NPR
- 03.29.23 | Emma Wippermann featured in American Theatre
- 03.29.23 | I Have Seen the Bluest Blue Reviewed in Bridge
- 03.29.23 | Rocío Agreda Piérola’s Horses Drawn with Blue Chalk reviewed in Carousel Magazine
- 03.24.23 | Elixir Reviewed in Full Stop
- 03.22.23 | 11 Excerpted in Latin American Literature Today
- 03.21.23 | Proximal Morocco— Excerpted in Circumference Magazine
- 03.20.23 | Awaiting Reviewed in Poetry Foundation
- 03.17.23 | No Way in the Skin Without This Bloody Embrace Reviewed in Full Stop
- 03.16.23 | Daniel Bouchard Featured at The Arts Fuse
- 03.14.23 | Cindy Juyoung Ok Wins Yale Younger Poets Prize
- 03.09.23 | Cecilia Vicuña Interviewed by DIRAC Chile