Details
A sequence of meditations on the strange and relentless nature of our longing for completion, My Ida is an elegy to our incompletion. Drawing from Gertrude Stein’s novel Ida, Kearney’s own Ida is both a real and imagined other: a borrowing, a projection, a decoy. Here, the theatre of longing is a theatre of language, where the distances embedded in our relationships, not only with others, but with ourselves, circle around and proliferate a wound.
Author
Simone Kearney
Simone Kearney is a writer and visual artist. She is author of In Threes, a limited edition artist chapbook (Minute BOOKS, 2013). She has exhibited her artwork and performed readings and lectures in New York and Baltimore in the United States, in Hamburg, Germany, and in Ireland. Born in Dublin, Ireland, she now lives in Brooklyn, New York. She teaches writing and studio art at Parsons School for Design in Manhattan.
Praise
In the News
Excerpt
Ida feels like something
to be mopped up, at least
whatever I can access of Ida
feels like something to be mopped
up but all the sponges lost
*
I put my face into the jeans of Ida.
I always knew
it would end like this. A cool trail of smoke
coming out from between Ida’s teeth. One of Ida’s teeth are rotting,
I think to myself. Or is it “is” rotting?
I didn’t know if I wanted to press
my face into the jeans any further. The cerulean from the jeans made me think
of the other day. I wanted to know
what the cerulean meant. I just had to push my face deeper into the cerulean.