Or to Begin Again: Exploring Editing Methodologies with Terrence Arjoon
Or to Begin Again: Exploring Editing Methodologies with Terrence Arjoon
$75.00
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Details
Saturday, January 24, 3–6pm (1-day seminar) / In-person at the UDP studio
Corresponding with the work of Lydia Davis, Alice Notley, John Wieners, and Cedar Sigo, this seminar operates under the aegis of this guiding quote from Cedar:
“I think of editing like musical arrangement. You know those old jazz records that would say ‘a song by Duke Ellington, arrangements by Billy Strayhorn.’ And I’d be like, ‘What are arrangements? How would the band sound if the song hadn’t been arranged?’ I think that’s what lazy poetry is. It’s songs that haven’t gone through the arrangement process. Like, now the piano plays. Now the clarinets play. It’s all about overlaying one with the other, because that’s how you create friction. Not many poets know how to do it. People are expressing themselves, sure. But poetry is more than that.” (Guernica Mag, 2018.)
Students should bring work to edit in class.
Workshop Leader
Terrence Arjoon
is the author of the chapbooks 36 Dreams and Acid Splash, or into Blue Caves, published with 1080press. He is a co-editor at 1080press, which is a freely distributed offset and letterpress poetry project. His work has appeared in The Poetry Project Newsletter, Tagvverk, Smooth Friend, Works & Days, Screen Slate and is forthcoming in an anthology from Spiral Editions. He was the 2022 recipient of the Amiri Baraka Scholarship at the Naropa Summer Writing Program. He is currently the book-buyer and event curator at 192 Books.
Saturday, January 24, 3–6pm (1-day seminar)
In-person at the UDP Studio
The Old American Can Factory
232 Third Street #E303
Brooklyn, NY 11215