Notes on Conceptualisms, the blank edition

Robert Fitterman

Vanessa Place

CRITICISM, POETICS  | $20

December 2012

the most ambitious & serious account of the dynamics underlying emergent poetics

Ron Silliman

With its bold blank cover, specially designed by Ugly Duckling Presse to enhance the object-quality of this milestone of contemporary poetics, this special edition of Notes on Conceptualisms (UDP, 2009) is based on a historic Conceptualist book (we’re not divulging which one). Enacting the conceptualist concept of echo, we haven’t changed a single word in the text. All 81 copies are signed and numbered by the authors.

For more information or to purchase the regular edition of Notes on Conceptualisms please click here.

 

About the Authors

Robert Fitterman is the author of 15 books of poetry including This Window Makes Me Feel (UDP, 2018), Nevermind (Wonder Books, 2016), Rob’s Word Shop (UDP, forthcoming, 2018), No Wait, Yep. Definitely Still Hate Myself (UDP, 2014), Holocaust Museum (Counterpath, 2013, and Veer [London] 2012), now we are friends (Truck Books, 2010), Rob the Plagiarist (Roof Books, 2009), war, the musical (Subpress, 2006), and Metropolis—a long poem in 4 separate volumes, and is the co-author of Notes on Conceptualisms (UDP, 2009). He has collaborated with several visual artists, including Serkan Ozkaya, Nayland Blake, Fia Backström, Tim Davis and Klaus Killisch, and is the founding member of the international artists and writers collective, Collective Task. He teaches at New York University and is a member of the writing faculty of the Milton Avery School of the Arts at Bard College.

Vanessa Place was the first poet to perform in the Whitney Biennial, and has published numerous books of poetry and prose, including Boycott and Notes on Conceptualisms (with Robert Fitterman) from Ugly Duckling Presse. Performance venues include the Getty Villa (Los Angeles); Museum of Modern Art (New York); and Garage Museum (Moscow), among others. Her art work has been exhibited at MAK Center/Schindler House (Los Angeles); Denver Museum of Contemporary Art; the Broad Museum (East Lansing, MI); the Kitchen (New York), Cage Gallery (New York), and Various Small Fires (Los Angeles). Place also works as a criminal defense attorney.

Praise

For those not familiar with conceptualist practices in poetry, I can recommend few better places to start than Notes on Conceptualisms.

Thom Donovan, bomblog

But it's a book you're going to want to carry around with you as you go about your daily business, being the most ambitious & serious account of the dynamics underlying emergent poetics in the United States I've encountered in years.

Ron Silliman

The petite, wallet-sized book fits perfectly to that impulse that the tree, in fact, did fall in the forest. And, you should go see where the hell it fell.

Ken Walker, Coldfront

Links

Other UDP titles from Robert Fitterman here

Other UDP titles from Vanessa Place here

Robert Fitterman reading for Baratynsky Day 2021

Publication Details

Special Edition
Perfect-bound. 80 pp, 4.5 x 6 in
Publication Date: December 17 2012
Distribution: Direct Only
Series: Dossier