Phantom Limbs

Lee Min-ha

Translated by Jein Han

POETRY, TRANSLATION  |  $20

May 2025
Read an excerpt

from “Tanker Truck”

 

Let my story reign: I insisted that at dawn I ducked out of the igloo and met a crocodile in the Nile whose palace was warm

I insisted that ten toes aimed their blood-red lenses at stalactites and chased me all the way to the sand dunes, goading me to steal the crocodile’s hide

 

I met you, running

like you always do

 

I insisted that when I opened an old textbook my ant egg of a father tumbled out and when I chased after him kids with hunched backs cracked their whips as they spilled, one by one, out of my eyes

I insisted that on nights when father clutched his aching stomach and rolled in pain teeth ripped through the gum to sprout like white calabash blossoms dripping blood

 

I met you, rolling

like you always do

 

I insisted that every morning the radio alarm would bleed and my two ears would be drenched in blood

I insisted that from time to time, from the center of my body, red petroleum would gush out and my mother, who had just rid her body of its burden, would trickle out and burst into black flames before disappearing to the other side of the earth

 

I met you, flowing

like you always do

First published in Korean in 2005, Phantom Limbs is Lee Min-ha’s debut book of poetry. Critically lauded for its visceral imagery and world-building through word-play, this collection of surreal and fabulistic poems reminds readers that poems are spells and incantations.

About the Author

Lee Min-ha is a Korean poet based in Seoul. She is the author of five poetry collections including Phantom Limbs (『환상수족』), Musically Scandalously (『음악처럼 스캔들처럼』), Imitation Woods (『모조 숲』), and All the Secrets of the World (『세상의 모든 비밀』). Her most recent book, Microclimate (『미기후』), received the Jihun Award and Sanghwa Award.

Praise

I think of Deleuze’s ‘becoming’ as a male metaphor. Lee Min-ha transcends becoming. In her poetry, a single dot explodes into images. A single scene gives rise to a string of events. A single motion generates a wealth of subsequent gestures. Lee’s language places the poetic object before her gaze and unfurls the object’s world like a large folding fan. Like giving life to a child and immediately rearing it into a giant. Like creating a small sun and having it illuminate an entire continent. The poet, rather than foregrounding herself, smoothes out the folds of the poetic object in front of her. Accordingly, her ears become as large as houses, her eyes as vast as the sea. Lee Min-ha is not a surrealist—she is a poet who has yielded herself to the world of the Other and has expanded her sensory organs to the size of the earth. She is a poet who has surrendered herself to the image, eternal and infinite.

Kim Hyesoon

Catastrophic, kaleidoscopic, hypnotic—these are the first words that bubble up as I travel through the landscape of Phantom Limbs by Lee Min-ha. Oozing with hybrid bodies made of blood, plant, and objects, Phantom Limbs is an eerie, fleshy house of mirrors; each page is a strange and exquisite portrait of the world, in which the reader finds a refraction of herself, inlaid: ‘I broke off an armful of you and arranged you on my body,’ tells one poem, ‘Broken, you laughed while I bled.’ Jein Han’s astute translation invites non-Korean speakers to relish in Lee’s dexterity in imagery and poetic language, and join this dizzying, mesmerizing ride.

Emily Jungmin Yoon

The world of Lee Min-ha’s Phantom Limbs is indeed a haunted one, at turns dreamlike and nightmarish as each poem weighs the risks and rewards of being (not quite) human, of having a body (of sorts). Every image veers wildly from expectation, and even the most surreal moments are convincingly rendered and viscerally felt. Lee’s poetry stuns in Jein Han’s beautiful, painstaking translation.

Paige Aniyah Morris

About the Translator

Jein Han lives in Seoul and translates between Korean and English. She is currently translating The Art of Cruelty by Maggie Nelson

Publication Details

ISBN: 978-1-946604-35-4
Trade Paperback
224 pp, 5.75 x 7.75 in
Publication Date: May 01 2025