Poker is the first of more than two dozen books of poetry by Tomaž Šalamun, the internationally renowned Slovenian post-war poet. Shortly after Šalamun was born in Zagreb, Croatia, his family fled from the rising pro-Nazi Ustaša party to Koper, Slovenia, near Trieste. Before turning to poetry, Šalamun had studied art history, worked as a curator, and was a member of the conceptual and performance art group OHO. Having had some tangles with the authorities as editor of the chief Slovenian cultural journal, Šalamun published Poker in 1966 in samizdat. It was a small, underground, self-published edition, yet, its playful, anti-authoritarian, postmodern approach instantly became influential for an entire generation of poets in Slovenia and the rest of Yugoslavia.
In his introduction to Poker, Matthew Rohrer writes that Šalamun is “an even cattier Frank O’Hara”: “and I turn over / hide behind a barricade / and pull out my COLT / aucun sens public / is this art engaged / there’s no damned sport left anywhere / no tramway to Bronowice / no Brandenburg or America” (“Flor Ars Hippocratica”). In Poker, the then 25-year-old poet imagines his own future as an ageing avant-gardist embracing failure: “at the end the journalists ask me / why did you lose the game / there are raspberries / raspberries / I say.” (“There Are Raspberries”). However, Poker was a great success in that it marked out a new stylistic territory which Šalamun would explore and expand over the course of nearly 50 years of writing, developing a voice that continues to inspire new generations of poets around the world.
A finalist for the PEN America Poetry in Translation Award, Poker was translated by Joshua Beckman and the author. The second edition includes a new introduction by Matthew Rohrer.
EEPS #3 (1st edition) and #20 (2nd edition).
To buy a letterpress printed broadside of the poem “What Is Abomination” alongside a copy of Poker, select the option “Poker + What Is Abomination Broadside” from the dropdown menu in Shopify. To purchase just a copy of the broadside, click here.