My Ida

Simone Kearney

POETRY  |  $12 $9

November 2017
OUT OF PRINT

Improvisational, speculative, painterly, queer—if it were less free it'd be philosophy.

Christian Hawkey

A sequence of meditations on the strange and relentless nature of our longing for completion, My Ida is an elegy to our incompletion. Drawing from Gertrude Stein’s novel Ida, Kearney’s own Ida is both a real and imagined other: a borrowing, a projection, a decoy. Here, the theatre of longing is a theatre of language, where the distances embedded in our relationships, not only with others, but with ourselves, circle around and proliferate a wound.

About the Author

Simone Kearney is a writer and visual artist. She is author of In Threes, a limited edition artist chapbook (Minute BOOKS, 2013). She has exhibited her artwork and performed readings and lectures in New York and Baltimore in the United States, in Hamburg, Germany, and in Ireland. Born in Dublin, Ireland, she now lives in Brooklyn, New York. She teaches writing and studio art at Parsons School for Design in Manhattan.

Praise

Improvisational, speculative, painterly, queer — if My Ida were less free it would be philosophy. What a gorgeous, sovereign poem.

Christian Hawkey

Yes, Simone Kearney has taken on Gertrude Stein’s late great novel about female identity and refusal and has pressured it with possession, the space between bodies that makes the shape of bodies, that makes desire not fickle but determined. It’s aleatory! As such, difficult to say (poetic, emergent) exactly how my/her/my Ida (smoke ring, declarative) forms in and out of formation...It’s so hard to write this blurb! How does one gift wrap a poem that is anti-reification? Like Stein’s Ida, My Ida refuses the winning of defining, the objectificatio n of straight female seduction. MY IDA! persists generously in its offer of winning by way of thin king and desire for every winning one of us.

Rachel Levitsky

Simone Kearney's My Ida is a book about adoration. It reminds me that the uncertainty we feel in love can be trapped inside sentences and other items made of language. These fabrications are guilelessly offered back to the world, which is certain to be perplexed by them, as it was by Gertrude Stein's erotic code. Do not be confused: What you hold in your hands is a mirror; it contains the speech of your braver self.

Lucy Ives

Publication Details

Chapbook
Saddle-Stitched. 32 pp, 5 x 7 in
Publication Date: November 01 2017
Distribution: Direct Only