City built in frames framed by these
lines that signal generally good stingy
feeling irony dense and strong as stench
friendly sewage stairway news awaits.
Born can’t despite ourselves stay up late
intoxicated but deep reason regret ourselves
days we miss under bleeding sun a shroud.
The princely house faces its other side.
Neighbor’s mutable, shifty narrator alternately reifies and attempts to refuse the constricting, separating, culture-load bearing wall between lovers and neighbors. As antagonisms and intimacies converge, Levitsky troubles the divisions within urban space, and between spatial and ethical frames: “I live on a street where / people turn (on) each other / into a theory.”
This second edition, printed a decade after Neighbor‘s original publication, features an expanded version of the play, “Perfect California: A Family Affair.”
About the Author
Rachel Levitsky came out as a Lesbian in 1984 and as a poet in 1994. In between those two events, she wrote fact sheets and polemic for street actions demonstrating for LGBT and Women’s Liberation, Women’s Health, and against the state negligence of the AIDS epidemic. Since becoming a poet, she’s published three book length collections, Under the Sun (Futurepoem, 2003), NEIGHBOR (UDP, 2009) and the poetic novella, The Story of My Accident is Ours (Futurepoem, 2013). Levitsky is the author of nine chapbooks, most recently, Hopefully, The Island, part of an ongoing collaboration with the artist Susan Bee. One of her current writing projects, titled “Existing Condition,” is a ‘memoir without memory’ indirectly addressing the ruptures of refugeeism as second generation post-Holocaust Jew. Adjunct and intersecting with her writing practice, Levitsky builds and participates in a variety of publishing, collaboration and pedagogical/performative activities. In 1999, she founded Belladonna* which is now Belladonna* Collaborative, a matrix of literary action promoting the writers and writing of the contemporary feminist avant-garde. She’s written and performed in a number of poetry plays. In 2014, she performed the role of Andy Warhol in Maxe Crandal’s Together Men Make Paradigms. In 2010, she co-founded the Office of Recuperative Strategies, an operation that staged workshops, walks, instant performances and instant publications during happenings in a variety of urban sites, including Alexanderplatz and the Gowanus Canal. In 2017, she was a fellow of LMCC Process Spaces, an open studio project on Governors Island and in 2009 she was Fellow in Poetics and Poetic Practice at University of Pennsylvania’s Center for Programs in Contemporary Writing. She is a Professor of Writing at Pratt Institute, and teaches irregularly at Naropa Summer Writing Program, The Poetry Project, Poets House and other situations as they arise.
Praise
In and outside the window of Rachel Levitsky’s apartment lie sadness, amusement and conflicted regard for the weirdo constructs of faith and scum politics. Her poet energy is a sweet intellect with lazy compulsive lines dropping onto a free and wishful page, ok with semi-resolve amidst the minor clatter of daily lust.
Thurston Moore
Nearly touching are the ethical realm of our obligation to others and the aesthetic world of our freedom from such obligations. Levitsky’s Neighbor confronts this imaginary dividing line—in the process, creating a poetry that both provokes community and critiques our social habituations. This is my neighborhood.
Charles Bernstein
Neighbor is a sweet saga of disconnection. A collectivity of loss. Rachel should be working for the city of New York. ‘I’ve decided to use my obsession/with my neighbor as the context/for a discussion of the State.’ That in itself is incredible.
Eileen Myles
Each poem has Rachel Levitsky’s voice in it, but the voice is commanding, demanding you in a sexy, provocative way, urging you to travel with her into a plane that is sonic and wry and physical and unknown. And, you let her. Guide you into language.
Vi Khi Nao
Meditating on and inhabiting a wide variety of disciplines and ideas—from architecture to religion, the state to the domicile—Levitsky draws many unexpected connections, sometimes to dizzying effect.
ISBN: 978-1-946433-38-1 Trade Paperback Perfect-bound. 112 pp, 6 x 8 in Publication Date: January 15 2020 Distribution: Coach House Books via Publishers Group Canada (Canada), Inpress Books (UK), SPD