Instead of romanticizing the story, Hawkins’ narrator sizes up those around her (including herself), with an understated poetic style and an eye especially sensitive to hypocrisy. One can’t help falling in love with One Small Saga.
Barbara Henning
One Small Saga
Bobbie Louise Hawkins
Eleni Sikelianos, Contributor
Laird Hunt, Contributor
Barbara Henning, Contributor
July 2020
Originally published by Coffee House Press in 1984, One Small Saga is one of Bobbie Louise Hawkins’ most personal and haunting autobiographical novels.
[Original jacket copy:] “In the early 1950s, a young Albuquerque bride accompanies her husband back to his family home in Denmark, then to London and the British colonies of Jamaica and British Honduras [now Belize]. The narrator endures the company of both pathetic and incorrigible characters while struggling to reconcile her idealization of The Modern Marriage with the painful reality of life with a philandering husband. Through the widening eyes of her protagonist, who develops into a woman of depth and vision, Ms. Hawkins creates characters who must adjust to the demands of others and of circumstances. Some relinquish the ability to communicate with others. For a few, adjustment means learning how to communicate with grace and tolerance. Told with humor, compassion, and just a hint of sarcasm, One Small Saga ultimately becomes a story of human compromise and adaptation to the quiet disasters of an ordinary life.”
This revival edition includes a new introduction by Laird Hunt and Eleni Sikelianos, and an interview with the author about the writing of One Small Saga conducted in 2011 by Barbara Henning.
The edition also makes available Hawkins’ long-out-of-print short story “En Route” (a 1982 chapbook from Little Dinosaur Press), another travel narrative—this time in Central America—that bears witness to scenes of intimate tyranny.
The publication of this book was made possible, in part, by a grant from the New York State Council on the Arts, a state agency.
About the Author
Bobbie Louise Hawkins (1930-2018) wrote more than twenty books of fiction, non-fiction, poetry, and performance monologues. She performed her work at Joseph Papp’s Public Theater, Bottom Line and Folk City in New York City; at The Great American Music Hall and Intersection in San Francisco, as well as reading and performing in Canada, England, Germany, Japan, Holland, and more. In England she worked with Apples and Snakes, read at the Canterbury Festival and the Poetry Society. She was commissioned to write a one-hour play for Public Radio’s “The Listening Ear,” and she has a record, with Rosalie Sorrels and Terry Garthwaite, Live At the Great American Music Hall, available from Flying Fish. She was invited by Anne Waldman and Allen Ginsberg to begin a prose concentration in the writing program at Naropa University where she taught for twenty years. She was also a visual artist known specifically for her collage work. Growing up in West Texas, Hawkins was raised on the family tales her grandmother told; having spent her childhood reading, Hawkins believed she would someday live in the world she only read about in books. Her life and work intersected with both that of the Beat Generation and the Black Mountain poets.
Praise
With brilliant poetic leaps, Bobbie Louise Hawkins tells the semi-autobiographical story of a nineteen-year-old girl who is whisked away from her working-class life in West Texas by a well-to-do Danish architect to live in London and then in Belise. The narrator is nineteen years old, sharp, witty, an artist, and so cool that she can play down her own heartbreak. “Sometimes I feel I live in this world like a tenant.” Instead of romanticizing the story, Hawkins’ narrator sizes up those around her (including herself), with an understated poetic style and an eye especially sensitive to hypocrisy. One can’t help falling in love with One Small Saga.
Barbara Henning
How happy I am to have finally read this extraordinary novella by Bobbie Louise Hawkins. It's full of levity and ease and wit, and I traveled through it as the narrator travels from one part of her life to the next, from one country to another, while she becomes, with a real sense of pleasure, who she was meant to be. I haven't said anything so far about the patterns of the sentences & paragraphs & pages & narrative of One Small Saga, yet I am speaking of them too, the imprint they make in the mind, which is also infinitely pleasing. I loved this book.
Amina Cain
Praise for Previous Work
Bobbie Louise Hawkins captures the sound of the human voice on the page with grace and honesty and allegiance to the music of the way people talk, interact, lie to themselves (and others), make speeches, converse.
Lewis Warsh
When Bobbie Louise Hawkins sets out to tell a story, a spell is cast. The entrancement of her narrative and her vivacity for real people in the quotidian of real human situations is impeccable.
Maureen Owen
Bobbie Louise Hawkins is a remarkable master of the witty understated prose sentence and writes in the lineage of Barbara Pym and Jane Bowles; she is also a fabulous storyteller with a great ear for the "very thing": quip or bon mot.
Anne Waldman
About the Contributor
Eleni Sikelianos is the author of two hybrid memoir/family histories (The Book of Jon, City Lights; You Animal Machine, Coffee House) and eight books of poetry, most recently What I Knew (Nightboat, 2019). Sikelianos is the recipient of many awards, including two National Endowment for the Arts fellowships and the National Poetry Series. She was Bobbie Louise Hawkins’ student in the late 80s and early 90s, and her colleague at Naropa beginning in the early 2000s. She currently teaches at Brown University.
Laird Hunt is the author of seven novels, with an eighth, Zorrie, forthcoming from Bloomsbury USA in early 2021. He is the winner of the Anisfield-Wolf Book Award for Fiction, the Grand Prix de Littérature Américaine, the Bridge Prize and was a finalist for both the Pen/Faulkner and the Prix Femina Étranger. His reviews and essays have been published in The New York Times, The Washington Post, The Wall Street Journal, The Daily Beast, The Guardian, The Irish Times and The Los Angeles Times, and his fiction has appeared in many literary journals here and abroad. A former United Nations press officer, he lives in Providence where he teaches in Brown University’s Literary Arts Program.
Barbara Henning is the author of four novels and seven collections of poetry, including a recent novel, Just Like That; a book of poems, A Day Like Today; and a collection of object-sonnets, My Autobiography. Current projects include a hybrid documentary of her mother’s life, Look At Me—I Lived; a collection of poems, Digigrams; and experiments for teaching poetry and fiction, Prompt Book (forthcoming). She is the editor of Looking Up Harryette Mullen and The Collected Prose of Bobbie Louise Hawkins. Born in Detroit, she presently lives in Brooklyn and teaches for Long Island University and writers.com.
Links
Publication Details
ISBN: 978-1-946433-64-0
Trade Paperback
Smyth-sewn. 168 pp, 5.25 x 8.125 in
Publication Date: July 15 2020
Distribution: Asterism Books (US), Coach House Books via Publishers Group Canada (Canada), Inpress Books (UK)
Series: Lost Literature #29